Dec. 31, 2012

After a brief personal review of 2012, Carolyn gives examples of photo fakery used in photographs that “prove” the “Holocaust” happened. Some are on her website Elie Wiesel Cons The World (the three most recent posts). While many forgeries are known – mostly composite photos where unrelated images are combined in one photo – many more could probably be found, and should be found. Check out the bears of Treblinka at Scrapboolpages Blog. Carolyn discusses the difficulty of recognizing these things until they are pointed out.

Two French Jews have discovered the Elie Wiesel tattoo controversy and are saying Wiesel is harming the Holocaust Industry, just as Nicholas Grüner claims too, and that Jewish organizations should put a stop to Elie’s irresponsible behavior! But they will not get anywhere either.

There was no Wannsee Conference taking place on Jan. 20, 1942, and if some kind of conference did, Reinhard Heydrich (pictured at right) was not there. Wilf Heink, in a five-part article at Revisionist Blog, demonstrates conclusively that Heydrich was in Prague attending to important official business on the 19th and 20th of January, leaving no time to go to Berlin during snowy winter weather for an important meeting there from 12 noon until at least 3 p.m on the 20th. The Wannsee Protocol document is a forgery by Robert Kempner, Jewish prosecutor at the Nuremberg IMT and follow-up trials.

Dec. 29, 2012

Image

Günter Deckert sends a letter he has composed that will be sent to Strasbourg on Monday, Dec. 31.

To

HUDOC (European Court of Human Rights/Europ. Gerichtshof für Menschenrechte)

The Registrar / Council of Europe

F 67075 Straßburg-Cedex / Elsaß

Violation of the UN Charter + the European Charter of Human Rights (freedom of opinion and freedom of expression) by the German ("brddr") judicial system by sending me to prison for 5 months because of "complicity of public uproar/disturbance of the public peace" for helping to have made possible the German version of Carlo Mattogno's "Auschwitz - The First Gassing" ... more precisely by "overworking a German text of different translators" (see copy attached showing the cover + pages 6 and 7). The text in the middle of page 6, Mattogno's scientic work, an answer to Danuta Chech´s "The Kalenndarium of Aushwitz," runs in German as follows:

Oldies but Goodies

This early Heretics' Hour program from June 14, 2010, with Carolyn's favorite guest of all time Wilhelm Kriessmann, is too good to be forgotten and left back in the archives.

Wilhelm Kriessmann - The War Years

Dr. Kriessmann gives his personal account of

• Life in Berlin as pilot for the general staff
• Ninety-three bomber missions on the Eastern Front
• How and why he was put in a British detention camp after returning home
• Conditions and companions in Wolfsberg and Wetzelsdorf camps

Originally recorded for Voice of Reason Network 13 MB / 32 kbps mono / 0 hour 55 min.

Wilhelm Kriessmann passed away on Dec. 18, one week before Christmas. He was 93 years old. I just now noticed that the years of his life correspond exactly to the number of missions he flew on the Russian front in WWII. Uncanny. Learn more about Wilhelm Kriessmann’s WWII experiences here and here, Until he suffered a stroke in late June of this year, he had remained a vigorous man, physically active and mentally sharp. He was making a valiant comeback with the help of intensive physical therapy when he was struck with a second stroke in mid-December which proved too much. It is with the greatest regard for this dear and esteemed friend that I re-present the programs he agreed to do with me exclusively on The Heretics' Hour, in this "Oldies but Goodies" format.

By Carolyn Yeager

Here we see a very bizarre scene of clothed men being photographed lying in bunks, while a naked man sits on a bench in front of them. They are not looking at him and he seems unaware of them. And why not? This is clearly a composite photograph made up of two unrelated scenes.

The United States Holocaust Memorial Museum (USHMM) titles this photo #78713 “Survivors lie on wooden bunks that are four tiers high in a barracks in the Buchenwald concentration camp.”

No mention of the naked man. This is truly fitting of the expression “the elephant in the living room” wherein everyone pretends not to notice something they can’t or don’t want to try to explain.

The description by the USHMM  goes on to say:

The original caption reads, “This photo shows the conditions and the amount of sleeping space for the prisoners at Buchenwald concentration camp. They range from young kids to old men, all doing the same amount of work each day.”

According to the Signal Corps caption, the photo was taken on April 23, 1945.

Yet the date above this description for the photo is: Wednesday, April 11, 1945 – Monday, April 23, 1945; the photographer Donald R. Ornitz; courtesy of Mary Dickinson.

April 11 was “Liberation Day” and they always want to give the impression that all the pictures were taken on that day … that everything seen is unrehearsed and just as the liberating army found it. Yet this photo was “set up” 12 days after liberation. Another point:  Where are the “old men,” and where are the “young kids” in this photo? They all look to be in their late teens and 20′s up to their 30′s at the most.  No old men, no young kids. What were these ex-’prisoners’ doing during those 12 days; where were they living? How were they being treated? Well, they were being asked to participate in the creation of the post-war propaganda ordered by Eisenhower, and that’s what they did. Were they paid? What were they promised? Did they just hang around in the barracks as usual?

The naked man and his strange shadow 

The men in the bunks are not sick or emaciated – they appear healthy and alert – so the military intelligence division responsible for creating photographic propaganda decided to add a sick man to the photo in order to support the message they were charged to send to the world of sub-human conditions at Buchenwald. It’s not hard to see how they did it — the two men on the bench were super-imposed on the other picture. The top edge of the bench is lined up with the bottom slat of the bunk, giving the impression that the bench is some feet away from the bunk.

Continue reading this article at Elie Wiesel Cons The World

Dec. 27, 2012

Carolyn Yeager and Hadding Scott  read and comment on Chapter 22, Jewish Testimony on “Are Jews a Nation?”

How do the Jews consider who and what they are amongst themselves? Leading Jews proclaim Jews to be a race, or at the very least a nation. We read quotes from Louis D. Brandeis, Supreme Court Justice;  Rev. Mr. Morris Joseph, West London Synagogue of British Jews; Arthur D. Lewis, West London Zionist Association; Leon Simon, Jewish scholar and writer; Moses Hess, author of Rome and Jerusalem; and Israel Friedlaender, rabbi and biblical scholar, among others. All state that Jews are a distinct nationality of which every Jew, no matter where in the world he resides, is a member. Also, according to Brandeis, all must stand up and be counted, “counted with us, or prove himself, wittingly or unwittingly, of the few who are against their own people.”

It is also stated that Jewish spokesmen themselves have said that the troubles of the Jew have never arisen out of his religion. The attempt to shield the Jews under cover of their religion is, therefore, in face of the facts and of their own statements, an unworthy one.

Note: We are using the Noontide Press publication of  The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.

By Carolyn Yeager

Do you remember the nursery rhyme that goes:

Sugar and Spice and all things nice, that’s what little girls are made of.

How about this one:

Magic and Trickery and all things fakery, that’s what “the holocaust” is made of.

This very famous image associated with the so-called “Holocaust” that was discussed in the previous post has turned out to be fraught with fakery. A sharp-eyed reader, Paul Borresen, noticed something that, once seen,  makes one wonder how it was not seen before!

What he noticed is that, in addition to the fake standing man exposed in my previous post,  one of the men in the bunks appears twice in this Famous Buchenwald Lie Photo, and the similarity is unmistakeable. 

Viewing the photo enlarged as much as it can be (2 times) … find the young man lying on his back with head turned toward the photographer,  in the 2^nd row up from the bottom, 3^rd from the left. His head is resting on his food bowl. (close-up on left, below, designated ‘Original’)

Now look at the young man in the same position in the bottom row, 4^th from the left. He is the same man! (close-up above, designated ‘Copy’) The food bowl has been removed from underneath his head, leaving it to a military intelligence photo-retoucher to redo his throat  and neck, but in a very un-anatomical manner. Have you ever seen a neck that looked like that? I have not. In an attempt to retain a lesser portion of the ‘gown’ he was wearing so that it would not look the same as the ‘original,’ more bare skin is left showing, but without any anatomical correctness whatsoever.

The retoucher was not a trained artist and was in over his/her head with this assignment. For example, look at the ear. It consists of a few strokes of light-colored paint in an attempt to make something resembling an ear, but failing.  Ears are one of the most difficult parts of the body to draw or paint in a convincing manner, but it was necessary to add an ear to this ‘copy’ because the ear is not showing on the original man in the bunk above; it is buried against the upside-down food bowl and some material that’s covering it. The botched ear of the ‘copy’ is one of the biggest giveaways of  fakery in this photo, but not the only one.

Continue reading this article at Elie Wiesel Cons The World